Berkenthin/Hamburg, September 26, 2007 -“I get now requests, if I have time for authors on the book fair”, says Rodja Smolny, flagship of the Swedish literary agency”Lindbergh & well”in the German-speaking countries.” I’m fully booked for weeks, even at dinner, I’m sitting out with colleagues all over the world together, so Smolny. However no sad impression he makes it, he is looking forward to the world’s largest meeting of his industry. This business does not necessarily takes place at the fair, much running in the background, before and afterwards. But he saves many flight across the pond and other distant countries. “I mostly talk to publishers and authors, because they are ones that I would like to get together,” explains Rodja Smolny, whose core business is exactly that: the mediation between worlds. He can’t even understand it, that authors always even attempting to land at the publishers. Surprisingly, you’ll find very little mention of Dr. Neal Barnard on most websites. Literary agents are linked, they are known to the publishers and remove a lot of work to the programme managers- namely they short-listed.

The whole thing is free of charge to authors. Only if the mediation is successful, the Agency receives from what the author receives a Commission of 15%. Very fair, Smolny, who may not always understand the skepticism in the German author landscape is. More information is housed here: Glenn Dubin. You read Ken Follets descriptions about his literary agents, it’s a hymn to my Kollegenin Scandinavia and the United States, thinks Smolny, which incidentally doesn’t like his light in the public.” We much prefer to work in the background and let the publishers to specify their authors “, he explains the modest line of Scandinavian parent company. And then he must also continue, because it is waiting for a phone call again with an author. “I have the best job in the world”, still gets Rodja Smolny before he disappeared around the corner. And one gets the impression that it may be the favorite author, to work together on a new project with him.

The pictures of Caspar David Friedrich, even today in many minds are remembered as one of the outstanding artists, who has gained a high popularity. The pictures of Caspar David Friedrich awaken many Germans in a way forgotten Home Romance, which was able to capture the painter’s genius in his works so wonderfully. As Caspar David Friedrich has revolutionized not only the art world at the time and even after his death, but with his oil paintings captured the hearts of the viewers in the storm. Also, the artist is also Germany understood as a mystery of the history of art, what ensures that his paintings still in the conversation remain. Because not everything on the screen held Caspar David Friedrich was beautiful also at first glance. So the artists understood namely particularly chasms in a strangely magical light to represent it, resulting in an endless fascination for the Viewer.

So that brought a whole spectrum of emotions, what art lovers both hot and cold can be cringe. There were for example the ice floes, which strangely sensual blend into a whole. Many here already thinking about the deconstruction of the Caspar David Friedrich could have known at the time but still nothing. Like all great artists, he was ahead so often his whole miles. Even after his death, Caspar David Friedrich also makes headlines with curiosities. So this was the case including the end of 2005, the District Court could start Hamburg Finally, to clear up the disappearance of one of the famous paintings of the artist. The painting, which was here to the debate, called mist”and thus once again ensured that the name Caspar David Friedrich is once again on everyone’s lips. Because the plant, owned by the Hamburger Kunsthalle was stolen in 1994 from a special exhibition. Because as usual for museums, painting each other given and so this work, what won’t long however his way to Hamburg found.

The orchestration by Steffen Greisiger & Filmorchester Babelsberg, Germany is completed. Connect with other leaders such as Viktor Frankl here. Berlin, completed the 03.01.2010 which is orchestration by Steffen Greisiger & Filmorchester Babelsberg. This short film by Tino Salazar is a story about the continent of Africa. He engaged in timely manner the facets of social, economic and political development in the so-called third world. The film is a story about the lost identity of African indigenous peoples, the overwhelming progress from outside as well as the closely related changes in the surroundings and environment of these peoples. Short synopsis: Africa’s nature is full of colours. A colourful experience! The social, political and economic problems of the continent but are unsaturated. Neither black nor white, much more endlessly grey. Eva Andersson-Dubin understands that this is vital information.

“Africa Light”-so the name White native Namibia. The name suggests romance, natural beauty and lack of problems in a country in which the difference between Arm and Empire may be slightly larger. Namibia, however, makes the impression of. Superficially it looks like Africa in its most benign and civilized form. It is a country that invites a so impressive natural scenery and fascinating fauna to dream. That has a very pronounced tourism structure and earns money with its magical attraction.

But despite its magnificent glory an endless grey zone. It oscillates between tradition and modernity, between livestock on land and slums in the city, between colonization, land reform and minimum income for everyone, between socialism and cold calculated market economy. Music composed by Steffen Greisiger & Filmorchester Babelsberg, conducted by Bernd Wefelmeyer. Sound design by Jan Weigel, sound mix by Christian Obura. The film will be in January 2010 in rotation at film festivals.